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8 Artistic Styles of Henri Matisse

If one is looking for creative inspiration, then one need look no further than the artistic output of Henri Matisse, among modern art’s greats. He lived to be 84 and it would not be far-fetched to say he spent just as much of the 80 plus years steeped in art and creative making as he could. Let us delve into eight of the prolific artist’s fashions, loosely linked to eras of time, to find the full reach of his extensive artwork.
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Woman with a Hat by Henri Matisse, 1905

Matisse’s work in the
The early works show Matisse was inspired by many — Van Gogh, Gauguin, Cezanne and Rodin — though when there was one painter above all who would claim the lion’s share of his devotion, it would be Cezanne. That artist’s color sensibilities and compositional ability would inspire Matisse extensively through recent years.
It lasted a little more than a decade and its heydays were out of 1904-1908 with three grips that put its own leaders, one of whom was Matisse, on the map. The Fauvist style was known for its wild, uncontrolled color that had no foundation in nature. The application of this paint was thought to be raw and raw, the work of wild beasts,” that is where the term Fauvism derives.
In April 1906, Matisse met Pablo Picasso, who’d eventually become a lifelong friend and foil as it came to art. The two were frequently compared. Compared to Picasso though, Matisse more frequently painted from his characters were painted in more fully realized configurations.

Growing Access and Influence

Vase, Bottle and Fruit by Henri Matisse, 1906

Early Paintings

Study of a Nude by Henri Matisse, 1899
Matisse arrived to teach in the Académie Matisse at Paris, surrounded by wealthy friends, from 1907-11. Of Matisse’s work on view in her weekly salon gatherings at 27 rue de Fleurus, Gertrude Stein stated: More and more frequently, people began visiting to see the Matisse paintings–along with the Cézannes: Matisse brought people, everybody brought someone, and they came at any given moment and it began to become a nuisance, and it was in this way that Saturday evenings began.”

A number of the early paintings exhibit a Divisionist style, with unblended patches of color clear on the canvas, leaving the color mixing” into the eye. The work can be focused largely on form and somewhat reserved and standard in color and subject matter.

Fauvism

Matisse started painting in 1889, close to the border of 20. Although he started comparatively late in life (studying to be a lawyer first) and only by chance when his mom bought him a set of painting materials to keep himself occupied while bedridden, recovering from appendicitis, Matisse soon became completely enamored with artwork. He emptied his bank accounts on one occasion to buy art from the artists he admired.
In the 1920s, Matisse reengaged with the art world at large, produce many functions in collaboration with artists globally. The 1930s brought a renewed commitment and boldness for his work. Large Reclining Nude was created and suggests where the upcoming big thing for Matisse is led: simplified types and cutouts.
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Matisse might have fled France during the start of World War II but chose to stay and as a non-Jewish citizen that he was able to do so relatively safely. It seemed to me like I’d be deserting,” he wrote to his son, Pierre, in September 1940. If everyone who has any value leaves France, what remains of France?”
Matisse continued to make art and was, astonishingly, able to display his work in this time period. In addition, he worked as a graphic artist, producing black and white book illustrations and a few hundred lithographs.

Occupied Art

Still Life with Flowers and Fruit by Henri Matisse, 1947

Desire More Matisse?

The Cutouts

La Gerbe by Henri Matisse, 1953
1910s is about bright, expressive colour and planes of color with a certain focus on line. When Fauvism fades, he’s well on his way, continued to absorb the visual language of Primitivism and African American art, and travelling far and wide ranging from Algiers to Spain and Morocco.

From the early 1940s, after operation, Matisse again found a passion for an art form whilst convalescing. This time, with scissors and paper, creating cutouts and collages that will finally replace painting entirely for the artist.
In 1917, Matisse moves his family Nice on the French Rivera. Like most post-World War I artists, Matisse brings back on extremism. He found relaxation, it appears, in more relaxed, milder subjects and depictions. Some critics predicted the works of this period decorative and shallow, but Matisse wasn’t alone — that this pulling back was a phenomenon found among many artists of this time including Picasso and Stravinsky.
The Music Lesson by Henri Matisse, 1917
In many quarters, his art is well received. Art critic Guillaume Apollinaire calls his job tirelessly fair” and he is part of the major artistic movement happening in Paris during the moment. Many of the most famous works are made in this age. But simultaneous to painting masterpieces like La Danse, Matisse can also be made to deal with critical scorn, difficulty selling his work and, in the Armory Show in Chicago in 1913, with his painting, Nu bleu, burned in protest.
These started on the small scale but eventually came to occupy entire chambers as full-size cutout murals. Matisse completed his last painting in 1951 and the cutouts were the very last artworks he made.

La Gerbe by Henri Matisse, 1953

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